| A-GLITTER....................................1 | |
| The fiddle-back vestments a-glitter with morning rays, | HAH ANG 17 |
| A-KICKING....................................1 | |
| A-kicking up the sand. | LNC LET 16 |
| A-MAYING.....................................1 | |
| Where are the swains to wend through the lanes a-maying? | FLC OLL 15 |
| A-QUIVER.....................................1 | |
| And herself by the fuchsias, her young lips a-quiver | HAH MOI 27 |
| A-ROW........................................1 | |
| With tellymasts a-row, | HAH GCR 12 |
| A-SHINE......................................1 | |
| With golden stars a-shine | FLC VIN 40 |
| A-SWAYING....................................1 | |
| Where are the wains with garlanded swathes a-swaying? | FLC OLL 14 |
| A30..........................................1 | |
| Meditation on the A30 | HAH HHY 21 |
| ABANDONED....................................1 | |
| Cigarettes long abandoned, | HAH GOO 3 |
| ABBEY........................................9 | |
| Gothic on Gothic my abbey soars around me, | LNC PIE 17 |
| Take you my abbey, it is yours for always, | LNC PIE 23 |
| And the Abbey splendificent, most magnificent, | LNC PIE 7 |
| In Westminster Abbey | LNC LDI 14 |
| Bask beneath the Abbey bells. | LNC WAB 4 |
| A ruined abbey, chancel only, | NBB EMI 42 |
| They were ringing them down for Evensong in the lighted abbey near, | PWA 9 |
| Your hoary old Abbey and playbills and chairs, | NIP NWT 10 |
| The palace of Westminster, towers of the Abbey | NIP MED 7 |
| ABERDEEN.....................................1 | |
| St. Saviour's, Aberdeen Park, Highbury, London, N. | SEL NEW 42 |
| ABINGDON.....................................1 | |
| Ask of the Abingdon bus with full load creeping | FLC OLL 18 |
| ABOARD.......................................1 | |
| Launched aboard the shopping basket, sat precipitately down, | NBB PRL 8 |
| ABODE........................................3 | |
| Light's abode, celestial Salem! Lamps of evening, smelling | COD DOR 9 |
| Byzantine St. Barnabas, be Thine Abode. | NBB BAR 6 |
| From a great Irish house to its final abode. | HAH MOR 16 |
| ABOUND.......................................1 | |
| Oh God the Olney Hymns abound | LNC OLN 1 |
| ABOUT........................................29 | |
| There's something about a 'varsity man that distinguishes him from a | MOZ VSR 19 |
| To talk about the Football Cup. | MOZ CIT 16 |
| about for recumbent stone effigies | COD LIV 13 |
| I slipped about the chalky lane | COD UND 13 |
| How very sad. I do not mean about | LNC BTC 10 |
| The window, but I mean about the death | LNC BTC 11 |
| Are tumbling about round the long point of Ayr, | LNC PIE 10 |
| With wind about her hair, | LNC SEN 7 |
| And even in springtime with kingcups about | NBB LIN 33 |
| Still, fairly intact, and demolishing squads about, | NBB INV 5 |
| Say all the bells about the Throne. | NBB ANA 64 |
| There splashed about our ankles as we waded | NBB BAT 13 |
| Now that one and now none. As winds about | NBB ENO 2 |
| Just as he slopes about the windy cliffs | NBB ENO 67 |
| No bigger than a pebble washed about | NBB ENO 98 |
| Then there were people about. | NBB AVA 29 |
| Ripple about a bar of shifting sand | SEL NOR 24 |
| About eighteen-eighty-eight. | SEL LIC 28 |
| Instead of nonsense about Death and Heaven | SEL CLR 88 |
| But since the row about the ringers' tea | FLC VIL 3 |
| There is no space to tell about the chaps | FLC VIL 115 |
| There was no one about but a conscript who was saying good-bye to | PWA 5 |
| In the past weeks we had talked about Variety, | PWA INE 13 |
| I'm somehow still about. | HAH COC 26 |
| Do please tell me all about it, what you do and who you are. | HAH REP 20 |
| I like the mist of green about the elms | NIP LWA 3 |
| And how did I acquire her? Well to tell you about that | NIP EXE 15 |
| I mean, you never fooled about with tarts. | NIP SHT 89 |
| Look here, I'm awfully sorry about this. | NIP SHT 119 |
| ABOVE........................................26 | |
| Above the mellow college walls. | MOZ WYK 18 |
| Tall, tall, above me, olive spike the pinewoods, | COD LOV 7 |
| Waves above the sarsen stone, | LNC LAM 20 |
| Hear how the beech trees roar above Glencara, | LNC PIE 13 |
| Single clatter above St. Paul, | LNC MFO 14 |
| And wet the elm above the hedge | LNC OLN 3 |
| Above us, the intimate roof of the car, | NBB BLS 38 |
| High above the moonlit houses, triple-masted on the tide, | NBB BTC 8 |
| A map of France in damp above my pew, | NBB ENO 48 |
| Get in your places. Heard above the waves | SEL SEA 92 |
| Above the wind-slashed Corporation shrubs. | SEL CLR 32 |
| In blazing glass above the dark glow skies and thrones and wings | FLC KIN 3 |
| Arm-high above her tousled hair, | FLC OLY 16 |
| His ample stomach heaved above his breeches. | FLC VIL 37 |
| On the windy weedy platform with the sprinkled stars above | PWA 6 |
| As high above the floodlights, | PWA PUG 15 |
| Deep blue above us fades to whiteness where | HAH CCL 17 |
| Above the fields of Leicestershire | HAH GCR 25 |
| Above the barren boughs; | HAH GCR 30 |
| High, high above the sliding river | HAH MAT 39 |
| Nothing above us but the twigs and sky, | HAH NAR 28 |
| Sleep with your hands above your head. That's right | HAH NAR 43 |
| Above red earth; thin goats, instead of cows, | NIP GRO 8 |
| And hold the moon above the sea-wet sand. | NIP AUS 11 |
| Rust-red above the holly | NIP MAN 18 |
| Above the chimney-pots we'll go | NIP DIS 10 |
| ABRAHAM......................................1 | |
| The beetling Heights of Abraham; | HAH MAT 10 |
| ABRUPT.......................................1 | |
| Till there rose, abrupt and lonely, | NBB EMI 41 |
| ABSOLUTELY...................................1 | |
| To see that all was absolutely smooth. | HAH CRM 63 |
| ABSTENTION...................................1 | |
| Abstention from Evening Communion in North London | COD SUI 18 |
| ABSURD.......................................2 | |
| Absurd, truncated screen! oh sticky pews! | NBB ENO 58 |
| Such an old superstition's absurd | PWA WIN 34 |
| ABUTMENT.....................................1 | |
| Lock'd is the Elsan in its brick abutment | PWA 7 |
| ACACIA-SHADED................................2 | |
| By pink, acacia-shaded walls | COD EXE 9 |
| By pink, acacia-shaded walls | COD EXE 27 |
| ACADEMICAL...................................1 | |
| Let others fuss over academical detail, | HAH COM 23 |
| ACCELERATOR..................................1 | |
| And pressing the accelerator hard, | SEL SEA 21 |
| ACCENT.......................................2 | |
| This should be recited with a Midland accent.} | LNC SHP 1 |
| Calmly in his Yankee accent, cultured, carefully and slow | FLC LIT 24 |
| ACCENTS......................................1 | |
| Our accents, clothes and ways of eating fish, | SEL SEA 157 |
| ACCEPT.......................................1 | |
| Glad to accept their bounty | NIP COU 53 |
| ACCEPTING....................................1 | |
| And the corner's accepting its kill. | HAH A30 20 |
| ACCIDENT.....................................1 | |
| Can release me from the painful seeming accident of Time. | FLC HUH 12 |
| ACCOMPANYING.................................1 | |
| Her white-hair'd father accompanying her thereto | FLC OLL 3 |
| ACCOUNT......................................1 | |
| I can but account you neglected and poor, | HAH MOR 5 |
| ACCOUNTS.....................................1 | |
| Your contacts and the valuable accounts | NIP SHT 138 |
| ACCOUTREMENTS................................1 | |
| With all the chic accoutrements of flight | NIP AUS 5 |
| ACES.........................................1 | |
| Horny hands that hold the aces which this morning held | COD DOR 3 |
| ACHE.........................................2 | |
| And the ache increased again, | NBB GRE 22 |
| Ache for the feel of sand and little shrimps | SEL SEA 22 |
| ACHIEVEMENTS.................................1 | |
| For Ned's discreet achievements; | HAH HON 34 |