A-GLITTER....................................1
The fiddle-back vestments a-glitter with morning rays, HAH ANG 17
 
 A-KICKING....................................1
A-kicking up the sand. LNC LET 16
 
 A-MAYING.....................................1
Where are the swains to wend through the lanes a-maying? FLC OLL 15
 
 A-QUIVER.....................................1
And herself by the fuchsias, her young lips a-quiver HAH MOI 27
 
 A-ROW........................................1
With tellymasts a-row, HAH GCR 12
 
 A-SHINE......................................1
With golden stars a-shine FLC VIN 40
 
 A-SWAYING....................................1
Where are the wains with garlanded swathes a-swaying? FLC OLL 14
 
 A30..........................................1
Meditation on the A30 HAH HHY 21
 
 ABANDONED....................................1
Cigarettes long abandoned, HAH GOO 3
 
 ABBEY........................................9
Gothic on Gothic my abbey soars around me, LNC PIE 17
Take you my abbey, it is yours for always, LNC PIE 23
And the Abbey splendificent, most magnificent, LNC PIE 7
In Westminster Abbey LNC LDI 14
Bask beneath the Abbey bells. LNC WAB 4
A ruined abbey, chancel only, NBB EMI 42
They were ringing them down for Evensong in the lighted abbey near, PWA 9
Your hoary old Abbey and playbills and chairs, NIP NWT 10
The palace of Westminster, towers of the Abbey NIP MED 7
 
 ABERDEEN.....................................1
St. Saviour's, Aberdeen Park, Highbury, London, N. SEL NEW 42
 
 ABINGDON.....................................1
Ask of the Abingdon bus with full load creeping FLC OLL 18
 
 ABOARD.......................................1
Launched aboard the shopping basket, sat precipitately down, NBB PRL 8
 
 ABODE........................................3
Light's abode, celestial Salem! Lamps of evening, smelling COD DOR 9
Byzantine St. Barnabas, be Thine Abode. NBB BAR 6
From a great Irish house to its final abode. HAH MOR 16
 
 ABOUND.......................................1
Oh God the Olney Hymns abound LNC OLN 1
 
 ABOUT........................................29
There's something about a 'varsity man that distinguishes him from a MOZ VSR 19
To talk about the Football Cup. MOZ CIT 16
about for recumbent stone effigies COD LIV 13
I slipped about the chalky lane COD UND 13
How very sad. I do not mean about LNC BTC 10
The window, but I mean about the death LNC BTC 11
Are tumbling about round the long point of Ayr, LNC PIE 10
With wind about her hair, LNC SEN 7
And even in springtime with kingcups about NBB LIN 33
Still, fairly intact, and demolishing squads about, NBB INV 5
Say all the bells about the Throne. NBB ANA 64
There splashed about our ankles as we waded NBB BAT 13
Now that one and now none. As winds about NBB ENO 2
Just as he slopes about the windy cliffs NBB ENO 67
No bigger than a pebble washed about NBB ENO 98
Then there were people about. NBB AVA 29
Ripple about a bar of shifting sand SEL NOR 24
About eighteen-eighty-eight. SEL LIC 28
Instead of nonsense about Death and Heaven SEL CLR 88
But since the row about the ringers' tea FLC VIL 3
There is no space to tell about the chaps FLC VIL 115
There was no one about but a conscript who was saying good-bye to PWA 5
In the past weeks we had talked about Variety, PWA INE 13
I'm somehow still about. HAH COC 26
Do please tell me all about it, what you do and who you are. HAH REP 20
I like the mist of green about the elms NIP LWA 3
And how did I acquire her? Well to tell you about that NIP EXE 15
I mean, you never fooled about with tarts. NIP SHT 89
Look here, I'm awfully sorry about this. NIP SHT 119
 
 ABOVE........................................26
Above the mellow college walls. MOZ WYK 18
Tall, tall, above me, olive spike the pinewoods, COD LOV 7
Waves above the sarsen stone, LNC LAM 20
Hear how the beech trees roar above Glencara, LNC PIE 13
Single clatter above St. Paul, LNC MFO 14
And wet the elm above the hedge LNC OLN 3
Above us, the intimate roof of the car, NBB BLS 38
High above the moonlit houses, triple-masted on the tide, NBB BTC 8
A map of France in damp above my pew, NBB ENO 48
Get in your places. Heard above the waves SEL SEA 92
Above the wind-slashed Corporation shrubs. SEL CLR 32
In blazing glass above the dark glow skies and thrones and wings FLC KIN 3
Arm-high above her tousled hair, FLC OLY 16
His ample stomach heaved above his breeches. FLC VIL 37
On the windy weedy platform with the sprinkled stars above PWA 6
As high above the floodlights, PWA PUG 15
Deep blue above us fades to whiteness where HAH CCL 17
Above the fields of Leicestershire HAH GCR 25
Above the barren boughs; HAH GCR 30
High, high above the sliding river HAH MAT 39
Nothing above us but the twigs and sky, HAH NAR 28
Sleep with your hands above your head. That's right HAH NAR 43
Above red earth; thin goats, instead of cows, NIP GRO 8
And hold the moon above the sea-wet sand. NIP AUS 11
Rust-red above the holly NIP MAN 18
Above the chimney-pots we'll go NIP DIS 10
 
 ABRAHAM......................................1
The beetling Heights of Abraham; HAH MAT 10
 
 ABRUPT.......................................1
Till there rose, abrupt and lonely, NBB EMI 41
 
 ABSOLUTELY...................................1
To see that all was absolutely smooth. HAH CRM 63
 
 ABSTENTION...................................1
Abstention from Evening Communion in North London COD SUI 18
 
 ABSURD.......................................2
Absurd, truncated screen! oh sticky pews! NBB ENO 58
Such an old superstition's absurd PWA WIN 34
 
 ABUTMENT.....................................1
Lock'd is the Elsan in its brick abutment PWA 7
 
 ACACIA-SHADED................................2
By pink, acacia-shaded walls COD EXE 9
By pink, acacia-shaded walls COD EXE 27
 
 ACADEMICAL...................................1
Let others fuss over academical detail, HAH COM 23
 
 ACCELERATOR..................................1
And pressing the accelerator hard, SEL SEA 21
 
 ACCENT.......................................2
This should be recited with a Midland accent.} LNC SHP 1
Calmly in his Yankee accent, cultured, carefully and slow FLC LIT 24
 
 ACCENTS......................................1
Our accents, clothes and ways of eating fish, SEL SEA 157
 
 ACCEPT.......................................1
Glad to accept their bounty NIP COU 53
 
 ACCEPTING....................................1
And the corner's accepting its kill. HAH A30 20
 
 ACCIDENT.....................................1
Can release me from the painful seeming accident of Time. FLC HUH 12
 
 ACCOMPANYING.................................1
Her white-hair'd father accompanying her thereto FLC OLL 3
 
 ACCOUNT......................................1
I can but account you neglected and poor, HAH MOR 5
 
 ACCOUNTS.....................................1
Your contacts and the valuable accounts NIP SHT 138
 
 ACCOUTREMENTS................................1
With all the chic accoutrements of flight NIP AUS 5
 
 ACES.........................................1
Horny hands that hold the aces which this morning held COD DOR 3
 
 ACHE.........................................2
And the ache increased again, NBB GRE 22
Ache for the feel of sand and little shrimps SEL SEA 22
 
 ACHIEVEMENTS.................................1
For Ned's discreet achievements; HAH HON 34